History of Broadway Essay

There grant been galore(postnominal) debates on whether or non Broadway tuneful harlequinades argon considered serious art forms. People feel that a euphonyal git never be taken seriously if the character is always apprisal sporadically, which is very unusual in real life. However, musicals mother been close to for quite a some time now, many musicals are existence adapted into study(ip) motion sees, many children are raised on the known Disney musical car likewisens and everybody( whether theyll admit it or not) has seen at least ace musical in their lifetime and are able to interpret some of the poems from it.It seems that musicals have make an impact on society nevertheless yet are let off not taken seriously. The history of musicals dates back to the Greeks. It is a common cognize fact that the Greeks incorporated birdsong and dance into their stage comedies and tragedies as primeval as the 5th Century B. C. Some used existing songs but it is known that Sophocles wrote his own. The Romans are also known for taking the Greek musicals and expanding on them.The Romans liked the judgment of musicals so frequently(prenominal) that they attached metal chips to their shoes, creating the primary tap shoes, so that there would be more than focus on the dancing throughout the play. Of teleph whizz circuit musicals and the idea of telling stories through song and dance really became hot through the Renaissance era. During the 1700s the deuce main types of plays were ballad operas and comic operas. Many people think that musicals evolved from operas tho if you follow the history of musicals and operas you will learn that it is the early(a) way only if about yet operas are much more respected than musicals.Musicals came to America during the mid-1800s as saloon essays. They were also known as variety shows and consisted of everything from clowns, singers, dancers and utter girls. In Low Life Lures and Snares of Old revolutionary York (Farrar, Strauss, Giroux, New York, 1991, p. 92), historiographer Luc Sante, claims that variety shows were born in Manhattans Bowery saloons during the 1840s. One of the archetypal and roughly famous variety houses was Koster and Bials on West twenty-third Street in New York City.The variety shows were very distasteful and were subsequent cleaned up and renamed vaudeville then in the 1900s the shows were cleaned up take down more and were then known as minstrelsy. While the minstrelsy shows were much immaculate than the original variety show they would politic be considered extremely lustful by todays standards. Musicals later came to take the form of the misconceive form of fraudulence performances. extravaganza shows became popular and kept America diverted from 1840 through the 1960s. Many people identify burlesque with strippers or barely dressed women.The burlesque shows even so covered many dischargeics of interest from Shakespeare to spoofs of the famous operas of the moment. In 1860 Burlesque make its appearance on Broadway with Lydia Thompsons British burlesque troupe and their first hit entitled Ixion. It became clear that sound people would pay kettle of fishs of money for a sexy performance. The sign group would use popular songs of that time and parts of operas to perform too which made some of the earreach try to say made the Burlesque show more classy and easier to relate too.Soon the off completeed earreach members began to raise their voices in protest of the performances saying that they were extremely inappropriate and tasteless. This of campaign only made people more curious about the performances and the crowds began to engender for the show. With the winner of the shows people began to copy them and bring them back to their own communities. The absolute majority of the managers and choreographers were women and finally women were beginning to gain respect in the theatre business. hands quickly began to see the victory and start their own shows. The point of the shows were to trail at the idea of the women being naked and to show as much skin as was considered acceptable. The Burlesque shows, while being popular, were considered to be the last(a) form of theatre, many of the actors would move on to vaudeville shows which were considered to be the top of the line where if a vaudeville actor would appear in a Burlesque show it was considered a step down and the actor was label as washed up.Burlesque soon took on comedy routines and would make fun of the current issues that the middle and lower class were relations with. However in the 1920s there began a raid and the law of nature felt the need to shut down all of the Burlesque shows which was a major hit to the Manhattan society where or so of the theatres were at the time. While the Burlesque scene was popular musical comedies were beginning to rise without the help of the bleakness factor. The musical comedy was born onBroadway b etween the years 1878-1884 by the famous producers Edward (Ned) Harrigan and Tony Hart. Harrigan would write the lyrics and songs with some of the music he had taken from his spawn and add them to plays that would feature characters and situations that the insouciant lives of New Yorks lower class. They had one particularly famous bit entitled Mulligan Guards March which started in San Francisco and was quickly spread all across the orbit and reached New York where it ran for over a year in the most popular theatres.With the victory of their short bit they expanded into a 40 excellent performance which was considerablely accepted and kept playing for a calendar month which was considered a good escape for that time. Their show became so popular that it started a seven year run of different shows with Harrigan directing, producing, performing and writing the scripts and lyrics. Their shows ran with much success on Manhattans downtown streets and overpopulated theatres. People quickly saw the success and began to try to create their own versions of this new style known as musical comedies.Some had success but were quickly forgotten or overlooked with Harrigan and Harts success. The more light-hearted and cheesy musicals began to pop up all over the Broadway scene in 1940. The Broadway producers felt that with America at war and people still suffering from the Depression audiences salutary valued to be entertained and no longer wanted to see their troubles and passing(a) situations acted out on stage because they were no longer comical. There were still a few comedies left however, one of the most popular being This is the Army a comedy which spoofed the army life.This particular play had a big success in America and also had triple-crown run in Lon put on. This is the Army became so popular that they even made a motion picture out of the play which earned over $9 million and donated to the Armys Emergency Relief fund. The 1940s were make full with f amous musicals all with the hopes of just being pure entertainment and losing the idea that only the most artistic performances would be well received. Two of the most famous musical writers in the history of the business made their presentation during this time, Richard Rodgers and Oscar Hammerstein II.Rodgers and Hammerstein were friends in college and both agreed that the best way to approach a musical was with the lyrics first, which was rare for the time. When the two were ready to debut their loved musical Oklahoma the Theatre Guild was bankrupt so the two took the major decisions in their own hands. They took some major risks one being to not open with a big catchy theatrical number and the early(a) being to cast smaller unknown actors instead of the guaranteed success of the more popular actors of the time.The play was something that had never been seen before it was a well round well written musical. On opening night in New York the show however was not sold out, since the re were no major known stars, however the show quickly became a huge success. The success of Oklahoma flipd the quality of musicals forever. It was soon realized that musicals could contain more than just cheesy dance numbers musicals could contain drama, comedy and all around quality acting. Future musicals had higher standards and required better and more skilful actors.The actors had to be skilled dancers, singers and actors. There was a lot of endowment observed all over the theatre community during the 40s while everybody tried to compete with and follow the success of Oklahoma, however most of the talent was quickly forgotten. The 1950s were soon open the musical community and show tunes were considered the main origination of entertainment. Even the smaller musicals that did not have the most talented actors could be very profitable because the audience hoped to discover some other winning team like Rodgers and Hammerstein.The fantastic duo were still belief the musica l field of Broadway, at one point they had 4 successful musicals running at the same time. In 1959 one of the most famous musicals of all time was created and praised, The Sound of Music. Everybody loved the music and the story and it was an flying success, however it is also remembered as their last great success unneurotic as Hammerstein died just a few months after it opened which brought the end of their ruling. The 60s and 70s also had some great success in the musical worlds with the idea of bring rock music to the stage.In the 60s show tunes could not be swan in in musicals and were replaced by edgier rock songs. The 60s are of course known as the years of sex, drugs and rock n roll and those ideas were put into story lines and portrayed on the stage. The 70s had two major hits with Grease and The Wiz. However, the 70s ended on a large(p) not for musicals because many people were tired of the shoddy performances being produced and their change in taste of music. There w ere some other great musicals that were produced in the 70s but unfortunately they went overlooked.At the end of the disco biscuit revivals were beginning to pop up with famous actors playing the major roles in the musicals to boost up ticket sales. In 1980 the success of Broadway was revived with the huge success of Cats. The success and word of Cats spread all across the world and totally revived the spirit of the musical theatre. Many Ameri backside composers debuted work after the success of Cats but sadly many failed. One of the biggest failures, Carrie, made its debut in 1988 which many considered the death of the Broadway rage of musicals. The main source of entertainment was now and movies and nobody paid much attention to Broadway anymore.Broadway however had one major hit left in The Phantom of the Opera. Andrew Lloyd Webber gave Broadway one last major success which is still running today. The Phantom brought in a new crowd and sold tickets at outrageous prices that the audience did not mind paying for at all, they also spent short ton of money on the souvenirs. The 90s saw a fine bad drought in musical success except for the mid-90s when it seemed like musicals were back with the success of Rent, Chicago, Cabaret and Bring in Da Noise, Bring in Da Funk. The success carried into 2000 and is still working its was on a comeback with a hot streak.With the huge success of Chicago being adapted into a major motion picture with huge stars like Rene Zellweger, Richard Gere, Taye Diggs and Catherine Zeta-Jones a new interest and spark was enkindled in musicals. The theatre has also seen success recently with The Lion King, Hairspray, Aida, The Producers and milliampere Mia. Musicals have overseen many changes and has a great history of success and failures just like any other type of theatre. As stated in the beginning many children are raised on musicals and grow up surrounded by music yet musicals are not seen as serious pieces of art.While the most popular musicals are the entertaining ones that dont deal with any major issues that doesnt mean that they cant be serious as well. There are many types of musicals but why does that make them less beta? Should comedic plays be seen as less artistic than dramatic pieces? Musicals have just as an important background and history as plays so I feel they should be viewed just as valuable to our society as any other piece of theatrical art. While it may be unnatural for a person to just burst out into song throughout their everyday life I dont think its that distant of a stretch if it did happen.How many times are we reminded of a song we hear earlier that day and sing it in our head? The only real difference between musicals and everyday life is that when we do sing our songs throughout our lives they arent always originals, everybody around you doesnt join in and automatically know every word and we dont have perfectly choreographed dance numbers to go along with them, however if we did have all that I think it would make life a lot more exciting and interesting. I am personally jealous of musicals for those reasons and coveting they were given more respect.