Examination of Womens Friendships through an Analysis of Katherine Phi

Examination of Womens Friendships through an outline of Katherine Philips Friendships conundrum To My loved Lucasia When readers reflect on the poetry of the 17th coke, poets such(prenominal) as flush toilet Donne and the Metaphysicals, Jonson and the Cavaliers, and John Milton a good deal come to mind. The poetry crosses everyplace various boundaries of Neoplatonic, Ovidian, and Petrarchan forms, for example, often with many references to women filling the lines. Described as helpless creatures, seventeenth century women were often shut out from all possibilities of power, and they were generalise into four categories virgins, women to be married, married, and widowed. In the state of marriage, women were forced to be the submissive, incapacitated objects of their husbands. Equality and residual in spite of appearance their marriages were of no concern to men of the seventeenth century. Out of the oppressive setting of the seventeenth century arose very fewer women po ets however, Katherine Philips not lone(prenominal) became a poet, but she also displayed her will to deliver the goods by responding to the negativism that surrounded the lives of fe males, especially the oppression of women in marriages. By focusing on the importance of friendships between women Philips used her poetry, specifically Friendships Mystery To My Dearest Lucasia, as an outlet to critique the misogyny and misrepresentations of marriages put ahead by male poets, such as John Donne, and the oppressive neighborly settings of the seventeenth century. In order to better understand Philips critique of Donne within the lines of her poetry, a reading material of twentieth century critic Adrienne Richs essay When We on the spur of the moment Awaken opus for Re-Vision ... ...Company, 2000. Donne, John. The Canonization. Abrams 1240-1241. Donne, John. The Relic. Abrams 1253-1254. Donne, John. The Sun Rising. Abrams 1239. Hageman, Elizabeth H. The Matchless Orinda Katheri ne Philips. Women Writers of the Renaissance Reformation. Georgia, 1987. Mendelson, Sara and Patricia Crawford. Women in ahead of time upstart England 1550-1720. new(a) York Oxford University Press, 1998. Philips, Katherine. Friendships Mystery To My Dearest Lucasia. Souers, Philips Webster. The Matchless Orinda. London Oxford University Press, 1931. Rich, Adrienne. When We curtly Awaken paper for Re-vision. On Lies, Secrets, and Silence. New York W.W. Norton and Company, 1979. 33-49. Wiesner, Merry E. Women and Gender in Early Modern Europe. New York Cambridge, 1993. Norton Topics Online www. wwnorton.com/nael Examination of Womens Friendships through an Analysis of Katherine PhiExamination of Womens Friendships through an Analysis of Katherine Philips Friendships Mystery To My Dearest Lucasia When readers reflect on the poetry of the seventeenth century, poets such as John Donne and the Metaphysicals, Jonson and the Cavaliers, and John Milton often come to min d. The poetry crosses over various boundaries of Neoplatonic, Ovidian, and Petrarchan forms, for example, often with many references to women filling the lines. Described as helpless creatures, seventeenth century women were often shut out from all possibilities of power, and they were generalized into four categories virgins, women to be married, married, and widowed. In the state of marriage, women were forced to be the submissive, powerless objects of their husbands. Equality and balance within their marriages were of no concern to men of the seventeenth century. Out of the oppressive setting of the seventeenth century arose very few women poets however, Katherine Philips not only became a poet, but she also displayed her will to survive by responding to the negativity that surrounded the lives of females, especially the oppression of women in marriages. By focusing on the importance of friendships between women Philips used her poetry, specifically Friendships Mystery To My Dear est Lucasia, as an outlet to critique the misogyny and misrepresentations of marriages put forth by male poets, such as John Donne, and the oppressive social settings of the seventeenth century. In order to better understand Philips critique of Donne within the lines of her poetry, a reading of twentieth century critic Adrienne Richs essay When We Dead Awaken Writing for Re-Vision ... ...Company, 2000. Donne, John. The Canonization. Abrams 1240-1241. Donne, John. The Relic. Abrams 1253-1254. Donne, John. The Sun Rising. Abrams 1239. Hageman, Elizabeth H. The Matchless Orinda Katherine Philips. Women Writers of the Renaissance Reformation. Georgia, 1987. Mendelson, Sara and Patricia Crawford. Women in Early Modern England 1550-1720. New York Oxford University Press, 1998. Philips, Katherine. Friendships Mystery To My Dearest Lucasia. Souers, Philips Webster. The Matchless Orinda. London Oxford University Press, 1931. Rich, Adrienne. When We Dead Awaken Writing for Re-vision. On Lie s, Secrets, and Silence. New York W.W. Norton and Company, 1979. 33-49. Wiesner, Merry E. Women and Gender in Early Modern Europe. New York Cambridge, 1993. Norton Topics Online www. wwnorton.com/nael